Showing posts with label CHARLTON PUBLICATIONS. Show all posts
Showing posts with label CHARLTON PUBLICATIONS. Show all posts

HEY KIDS -- HORROR!

Posted by 1001web

During the heyday of the 60's Monster Craze, the reigning King of Monster Magazines was the indomitable FAMOUS MONSTERS OF FILMLAND. There were numerous other 'zines that crowed the racks looking for a piece of the action, but FM was most kids' choice. I think it was due in large part to the luridly seductive covers, usually depicting the latest offering painted in high dynamic color by Basil Gogos, and the feeling of a "clubhouse" atmosphere provided by kid-friendly editor, Forrest J Ackerman.

Charlton Publications printed a wide variety of titles, from magazines to comic books. They were unique in that they owned their own printing plant in Derby, Connecticut. The trade-off was that they opted to use cheap paper and lower-quality printing techniques. Combined with the school of slapdash, get-it-on-the-stands method of design, the result often gave their publications a sort of "cheaper" overall appearance.

It didn't take a genius to see how quick FAMOUS MONSTERS was catching on. In 1961, Charlton entered the fray by introducing not one, but two monster magazine titles, MAD MONSTERS and HORROR MONSTERS. Published approximately on alternate months and each lasting for 10 issues, they paled in comparison to the better quality FM. Nevertheless, they had what I call a certain "rough charm" about them, and I recall them fondly as, if memory serves me right, they were the first monster magazines I ever laid eyes on, even before I saw my first issue of FM.

The Charlton monster titles were bolstered by the generosity of AIP's marketing department. Many issues featured AIP films where it was obvious that they had been the recipient of a thick promo pack of stills and pressbooks. They didn't however, have the same sense of comraderie that FM was so good at. Sporting ludicrous names such as Sanzar Quasitoad, the editorial and production staff remained hidden behind a curtain of anonymity that denied a young reader friendlier accessibility.

They were not, however, without their own methods of squeezing out every dime they could of a kid's allowance. The 'Monster Mailman" department was Charlton's version of Warren's Captain Company. They served up some of the usual novelties, masks, films, and the like. They also had the advantage of a wider range of publications from which to advertise their wares. For instance, their comic line offered some of the same monster paraphanelia as their flagship titles. One example can be seen in the April-May, 1966 issue of CAPT. ATOM (Vol. 2 No. 80). Here we see monster movie stills and iron-on transfers.


Many of these items have been lost to the sands (and the accompanying oxidation) of time. But one can't deny that during the day, there was no shortage of monster merchandise to be found!
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DO YOU LIKE YOUR HORROR IN BRONZE?

Posted by 1001web

TWOMORROWS PUBLISHING has been in the business of chronicling comic book history as well as acting as a custodian in the conservation of comic art in general for a number of years now. A favorite regular read is Roy Thomas’ ALTER EGO magazine that has run past 100 issues now. Another in the line is BACK ISSUE. Both will feature horror comics once in while, and you can usually count on one or two around Halloween.

This year’s Fall BACK ISSUE (#52) is a gem. It showcases the Bronze Age (roughly the period between 1970 and 1985) mystery comics, with a focus on DC and Charlton titles.


The first article, written by Dewey Cassell is entitled Horror Hosts. Cassell explains the beginnings of the hosts on radio who introduced the week’s story and how they evolved into use by comics publishers to frame their anthology-style books with the intent of making them more accessible to readers who were used to “book-length” comic stories.

Another interesting read is a lengthy article that covers the inception and chronology of GHOSTS, one of a number of DC mystery comics titles, this one unique because it purportedly claimed to only publish stories that were true! There are interviews with Berni Wrightson and Sergio Aragones (I had forgotten that PLOP! was really a mystery title with humor, rather than the other way around). Even the oftentimes maligned Charlton line is covered, this time with a justifiable discussion of its often good and occasionally brilliant content, usually as a result of great artists like Steve Ditko and Tom Sutton. There are even a couple of articles featuring the "myserious" ladies: one about the history of Black Orchid and the other covers the career of Madame Xanadu.

I highly recommend TWOMORROWS books and periodicals. They are crammed to the brim with fascinating and informative material that you’d be hard-pressed to find from other sources. After all, we can’t forget that they were the brains behind the legendary special issue of COMIC BOOK ARTIST covering the Warren comics publications that later was expanded into THE WARREN COMPANION (both long out of print), of which -- insert shameless plug here -- yours truly was a contributor!

I offer here a few sample pages from BACK ISSUE #52. Please note that these are not scanned – they are from the samples available directly from the TWOMORROWS website. I suggest you click on over and check out the huge sale going on right now.





















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DEADTIME STORIES

Posted by 1001web



[From GHOSTLY HAUNTS Vol. 5 No. 35 (Charlton, October 1973)]
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